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Artistic Exploration of Migration and Belonging
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Kimsooja's 'Meta-Painting' exhibition at Tanya Bonakdar Gallery in New York from April 12 to June 14, 2024, delves into migration, home, and belonging through the bottari concept. Her creations include light-play installations, linen canvases, and sculptures embodying themes of creation and cyclicality.
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How does Kimsooja's use of the bottari concept evoke themes of migration and belonging in her art?
How might Kimsooja's 'Meta-Painting' exhibition influence discussions on the intersection of tradition and modernity in contemporary art?
In what ways do the light-play installations and linen canvases contribute to the overall narrative of the exhibition?
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