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Captivating Debut: Ott & Canellakis Shine
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Alice Sara Ott and Karina Canellakis debut with the New York Philharmonic at David Geffen Hall, impressing with a program that included Ravel's Piano Concerto in G Major. Ott's technical skill and artistry shone, while Canellakis led with precision in Strauss' Tod and Verklärung.
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How does the collaboration of Ott, Canellakis, and the Philharmonic influence the interpretation of classical works?
How might Ott and Canellakis' debut impact the classical music scene?
What aspects of Ott's performance in Ravel's Piano Concerto set it apart?
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