Audiotool provides a platform for producing music online in a browser. It enables users to create, share, and remix music, connecting creative minds in the process.

Audiotool

Audiotool | 650 followers on LinkedIn. Audiotool is an online platform for music creators to produce, collaborate and share music in the cloud. | Audiotool is an online platform for music creators to produce, collaborate and share music in the cloud.

Co-Founder & COO at Audiotool Inc

Mirta Gilson

Venture Capital Investor & MD at Deutsche Telekom hubraum Fund GmbH

Florian Steger

Head of Strategy & Partnerships at LANDR Audio, Engineer/Producer (Oscar-winning, Grammy-nom stuff), Co-Founder, Professor. 9 years in AI.

Daniel Rowland

Senior Frontend Developer at Audiotool

Dario Carella

🏆 2 weeks left to submit your games inspired remix and WIN BIG! ↘ The final winner will win a trip 🛫 to the Abbey Road Studios in London with a +1 and produce their sample pack with Spitfire Audio .

Esports World Cup & Audiotool are teaming up for a genre-bending competition. Remix the official anthem & WIN a recording session at Abbey Road Studios! 20 Contests, 8 Weeks, Endless Possibilities. Craft remixes inspired by your favorite Esports titles (Fortnite, Street Fighter, etc.) & win prizes like: 👉 $20,000+ in music gear 👉 1500 Sound Academy Classes 👉 LANDR & Spitfire Audio subscriptions 👉Grand Prize: Create your own sample pack with Spitfire Audio at Abbey Road! Ready to Play/Remix/Repeat? ➡️ https://ewc.audiotool.com/

Esports World Cup Foundation

Pretty excited about this one—worth sharing with anyone you know that makes music. We’re uniting the worlds of gaming/esports and music in one of the coolest remix competitions ever—with over $20,000 in prizes, and the grand prize being a trip for 2 to London to record with Spitfire Audio at Abbey Road Studios . 🤯 Check out all the info here: https://ewc.audiotool.com/ Audiotool , Spitfire and the host of amazing sponsors like 1500 Sound Academy and LANDR , have teamed up with the Esports World Cup Foundation (EWC), holding one of the largest gaming events in history in Riyadh over 8 weeks--now through the end of August. Renowned composer Brian Tyler (Fast and the Furious, Avengers, Super Mario Bros Movie) has composed the music anthem for the EWC, and he and Sony Music Entertainment have provided stems for artists all over the world to remix the anthem via a series of 20 competitions. Each comp will also include a famous sound effect that producers have to incorporate, from iconic games like Rocket League, #Fortnite , Street Fighter, and Call of Duty. So you end up with #music themes for all of the games of EWC. And we have some legendary judges to pick winners: Rance Dopson (Grammy winner and CEO of 1500 or Nothin’) Jesse Carmichael of Maroon 5, BT, Ken Lewis (Grammy winning mixer for Taylor Swift, Bieber and Drake), Flosstradamus, Oak Felder (producer for Dua Lipa and Demi Lovato), Joanne Higginbottom (composer on John Wick and Deadpool), Michael Maas (trailer composer for Dune, Tenant, Jurassic World), Simon Heeger (cofounder 2WEI), Leo Wyatt (A&R Leaf at Spitfire Audio), and others. And big thanks to all of our amazing sponsors: Focusrite , Shure Incorporated , Zivix (Jamstik) , Universal Audio , Baby Audio Inc. , Sonarworks , and Synchro Arts by LANDR . #esports #saudiarabia #riyadh #musicindustry #gaming

Have you heard of the Esports World Cup? 🎮🏆 From July to August, we’re excited to announce a long-term partnership with Audiotool , a browser-based DAW with ties to the gaming world. In partnership, we will be offering a chance to participate in a special remix competition where you can win the opportunity to create a sample pack with Spitfire Audio, plus over $20,000 worth of music production equipment. The remix contest series winner will win a trip to London to collaborate with us on recording a bespoke sample pack for our new LABS plug-in at Abbey Road Studios 🎼 The partnership will feature LABS+ in a special browser-based sample player version of the product, including a brand-new plug-in and sounds. EWC by the numbers: - A $60,000,000+ prize pool - offering the largest prize pool in esports! - 30+ esports clubs - 2,000+ best esports players There is an incredible music team behind this, including Larrance Dopson, who has worked with Jay-Z and Beyoncé. Jesse Carmichael, Grammy winner and co-founder of Maroon 5. Joanne Higginbottom, who has worked on the biggest Hollywood blockbusters including Deadpool 2, John Wick, and Guardians of the Galaxy. BT - EDM pioneer for over 25 years and a close partner of ours. Get ready to PLAY. REMIX. REPEAT. Check out the comments to enter!

Spitfire Audio

Bridging Music Production and Gaming: The Ultimate Remix Contest! 🎮🎶 Our newest remix contest series brings music and gaming cultures closer together like never before. The music anthem remix contests for the Esports World Cup Foundation are starting this week, and at Audiotool , we’re thrilled about this partnership. 🚀 Everyone is invited to remix the anthem thatʼll be heard worldwide, and bag a recording session at the worldʼs most famous recording studio. We’ve teamed up with Spitfire Audio and Abbey Road Studios to give you a once-in-a-lifetime experience to cement your sounds in history. With Spitfire Audio's recording experts at your side, one lucky winner will go to Abbey Road Studios in London with a plus one and create their own custom LABS sample pack for Spitfire — which could then be used in millions of new songs worldwide. During the 20 Esports World Cup games happening over the next 8 weeks, music producers are invited to craft remixes of the anthem track provided by renowned composer Brian Tyler (Avengers, Fast and the Furious, Super Mario Bros). In addition to re-interpreting the anthem, creators weave in inspiration from the sounds of a game featured at Esports World Cup—including Fortnite, Street Fighter, Call of Duty, Rocket League, and others. Submit your remixes to any of the 20 different contests, and with each you can win 4 prizes to boost your music production skills. Prizes include over $20,000 worth of mics, guitars, synths, and other gear from partners like Shure UK , Universal Audio , Focusrite , Sonarworks , and Zivix (Jamstik) , as well as classes at the prestigious 1500 Sound Academy , LANDR and Spitfire Audio LABS+ subscriptions, and the trip to work with Spitfire Audio LABS on a sample pack at Abbey Road Studios Check out the Audiotool x EWCʼs Play/Remix/Repeat contest https://ewc.audiotool.com/ #musicproduction #musictech #Spitfire #Audiotool #EWC #gaming #esports #prizes #contest

You know what’s even more inspiring than generative music? 💡 Friendship, collaboration, and sharing. A few years ago I signed up for a workshop through School of Song , an online program where popular indie musicians teach their songwriting philosophy and techniques. I hadn’t written a song in over a year. My guitar and keys were sitting around gathering dust. Over the course of one month with School of Song, I wrote a dense five song EP. How / why did it happen? ✅ Excellent teacher (Dave Longstreth of Dirty Projectors) and event facilitator ✅ Accessible live online classes in a video format, with live chat for students to engage ✅ Discord server where we discussed the lessons and made friends ✅ Weekly songwriting assignments with an online portal to upload our creations ✅ A comment section for each song where we shared supportive and thoughtful feedback on each other’s creations As a musician and writer, my most prolific periods are always inspired by connections with other people. GenAI music companies have a habit of placing “inspiration” as their core value prop, but they neglect the most important factor: humans. 💡Community is more than a buzzword to slap on your tech product’s landing page. People need a container to create, share, listen and engage with each other. Last week I spoke with Mirta Gilson at Audiotool about this. Their user base specializes in sound design - over the last decade they’ve built an active and vibrant online community with regular contests. Out of 1 million+ published tracks, over half of them have been remixes/collaborations. They achieved this through a combo of web infrastructure (browser app, site forums) and a “remix” feature that lets users build upon public works from others. The multiplayer ethos can exist without video game engines. When I read that the Australian genAI music startup Splash had shuttered its doors to return to making video games, I had mixed feelings. Granted, I’m in my late thirties and don’t care to spend my free time on Roblox. They probably have a sizable demographic to sell their ai music video game to. But my vision for these generative tools centers on musicians, songwriters and fans. In 2021, my text-to-midi company launched a non-competitive event online called the Cipher Circle. Beatmakers used our app to turn words into music and shared their process on recorded videos: https://lnkd.in/giCCJQRf In an attention economy, it’s the quality of the people on the other end that matters the most. Music tech founders need to prioritize human relationships in their value chain. Without community you can still sell a product, but engaged users will take your company to the moon. P.S. Here’s a photo of the instrumental math rock band I played in during high school and college (2002-2007). We toured and played live relentlessly. We average 20k monthly listeners 15 years later. #ai #aimusic #songwriting #musictech

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