Red Digital Cinema is an American camera manufacturer specializing in digital cinematography. It was founded by Jim Jannard, who aimed to deliver a relatively affordable 4K digital cinema camera. The company has since developed various camera systems, including the flagship V-RAPTOR XL and V-RAPTOR 8K VV systems, as well as the KOMODO line with 6K S35 global shutter sensors.

RED Digital Cinema

Red Digital Cinema

RED Digital Cinema is a leading manufacturer of professional digital cameras and accessories. In 2006, RED began a revolution with the 4K RED ONE digital cinema camera. By 2008, RED had released the DSMC (Digital Stills and Motion Camera) system that allowed the same camera to be used on award-winning features, television, commercials, music videos, and magazine covers like Vogue and Harper's Bazaar. Today, RED cameras are being used on some of the most lauded movies and episodics, including award winners “Mank,” “Squid Game,” “Hacks,” “The Last Dance,” “The Queen’s Gambit,” and “Our Planet.” RED’s latest technology includes the highly advanced V-RAPTOR and V-RAPTOR XL system, the first cameras in the DSMC3 generation, both of which offer options for 8K VV or 8K S35 sensors, as well as the KOMODO 6K and now KOMODO-X– which feature global shutter sensors in shockingly small and versatile form factors. The latest breakthrough technology from RED is RED Connect, a license-enabled feature that unlocks up to 8K 120FPS live cinematic streaming from the V-RAPTOR line of cameras. Find additional information at www.RED.com.

RED celebrates an extraordinary year with some fantastic Emmy-nominated series! Congrats to the talented cinematographers capturing stunning visuals on RED. From the unscripted fun of "Indian Matchmaking" to the Emmy-winning "100 Foot Wave," explore the artistry and tech behind these well-deserved Emmy nods.

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Step into the intriguing world of acclaimed cinematographer Yves Cape, AFC as he unravels the secrets behind the lens in Michel Franco's latest masterpiece, "Memory." From the unique Dogme-inspired approach to the power of RED cameras, witness the collaboration that brings authenticity to this unexpected romance. Currently playing in theaters. #ShotonRED

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Cosm used four #VRAPTORS at the NCAA Football Championship. These feeds were utilized for both traditional broadcasting, enhancing it with Cosm C360's Region of Interest and replay features, and for delivering an immersive experience on digital platforms.

Congratulations to the phenomenal team behind "100 Foot Wave" for their Emmy win in the Outstanding Cinematography For A Nonfiction Program category! The mesmerizing visuals and breathtaking cinematography throughout the series set a new standard in documentary filmmaking. Kudos to the incredible talent of Antoine Chicoye, Mikey Corker, Vincent Kardasik, Alexandre Lesbats, Chris Smith, Laurent Pujol, João Vidinha, and Michael Darrigade. Your dedication to capturing the power and beauty of extreme sports has earned you this well-deserved recognition and left an indelible mark on the world of nonfiction storytelling. Cheers to the entire team for this outstanding achievement.

"At times during the racing sequences in “Ferrari,” the camera is fixed to the body of the car itself, stuck alongside as the vehicle zooms at extraordinary speeds... “we had to be very conscious of weight distribution and aerodynamics,” Messerschmidt said. Their choice for these shots was a RED KOMODO camera, “which is about the size of a Rubik’s Cube.” As Messerschmidt noted, “This would have been a very challenging film to make with a large, cumbersome motion picture camera.”

Read the whole article at https://lnkd.in/gkq_fMEs

Embark on a captivating journey into the realm of Hotshots as they confront California wildfires in the compelling documentary "HotShot," skillfully crafted by Director/DOP Gabe Mann. Shot on HELIUM, GEMINI + KOMODO, the film captures the challenges, secret culture, and legacy of these unsung heroes.

In this article, Gabe highlights the remarkable resilience of RED cameras in the harsh terrain of wildfires. Despite the intense heat, RED is a testament to unparalleled durability and reliability.

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LAST CHANCE for BACK ON SET PROMOTIONS! 🎬 

In the spirit of getting filmmakers back on set in 2024, RED is extending its support. Until 1/15/24, enjoy 15% off any KOMODO Packs or KOMODO-X Packs. Plus, explore financing options for V-RAPTOR and V-RAPTOR XL in the United States. 
LEARN MORE ► https://lnkd.in/gu-XYXBW

“With the MONSTRO, RED became my primary camera on all my major films. I strongly believe that the camera’s sensor, with its high dynamic range and detail in the blacks, is the best digital cinema around. Plus, the form factor is so lightweight; it’s very maneuverable and flexible for any shoot.” -Cinematographer Manoj Paramahamsa

READ MORE about the action thriller "Leo."
https://lnkd.in/gubeNXXS

Watch Zack Snyder's On-Set Diary for Rebel Moon as he takes viewers backstage during the filming process, chats with actors, and shares fun facts about the production. Shot on #VRAPTORXL and #VRAPTOR.

Stream REBEL MOON - PART ONE: A CHILD OF FIRE on #Netflix.

WATCH > https://lnkd.in/espM9Kxe

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